Showing posts with label Low-Residency MFA Handbook. Show all posts
Showing posts with label Low-Residency MFA Handbook. Show all posts

Thursday, February 20, 2014

excerpt: AWP in a nutshell




I’m such a fan of the annual AWP conference that I dedicated an entire chapter to the organization in my 2011 book, The Low-Residency MFA Handbook: A Guide for Prospective Creative Writing Students.

Since the conference is next week (!!!), I figured it was time to share an excerpt from my original rave—and possibly sway some newcomers to join the fun in Seattle. Some of the data (like attendee numbers) has increased in number, but you’ll get the idea.

So, here you go! A free excerpt from “Chapter 12: AWP Membership and Services”

***

Arguably one of the most anticipated writing events in any given year is the AWP Annual Conference & Bookfair. Hosted in a different North American region each year, writers from all walks of life converge at the Conference and participate in hundreds of writing-related panel discussions, lectures, open forums, and on- and off-site literary readings. But that’s a fairly formal overview.

What you really need to know is that the Conference draws in more than 8,000 attendees and more than 500 publishers—publishers that want to meet you. The Bookfair, which runs concurrently with the Conference, is the primary networking hub where writers are invited to interact and have informal conversations with editors, publishers, and writing program representatives.

If you are a prospective student, or even just considering the graduate degree for “someday” in the future, the Bookfair is the best way to meet an entire spectrum of program reps all under one roof. Each program has a designated booth or table where directors, faculty, alumni, and current students make themselves available to answer questions, provide information, and share their personal experiences. There really is nothing like having a one-on-one conversation with people who know, really know, the programs you might be applying to, so this is one of my top recommendations for prospective students.

my lit swag from AWP in Denver
In addition to the writing programs, the Bookfair is also a great way to introduce yourself to hundreds of literary magazines, publishers big and small, and other writing-related organizations and service providers. As you walk through aisle after aisle, in a maze of booths and tables, your back will start to hurt for all of the swag you have stashed away in your AWP-provided shoulder bag. But it’s so worth it. Through your Bookfair journey, you will find incredible discounts on books and pick up complimentary back issues of lit journals, writing magazines, and other promotional items, not to mention so many business cards and contact names you will need to take a break to organize and recoup—but just for a bit, because there is so much more waiting for your discovery.

The events last a few short days, but provide a year’s worth of motivation and inspiration. Through personal conversations with editors, publishers, and program reps, you will be on fire with the desire—the need—to get back home and write until your pen is dry. But don’t dare leave the conference until you have soaked up every last piece of information, and met every last editor and director.

You will walk—or crawl—away from the conference feeling exhausted, but more creatively refreshed than when you were on Day One. That’s not only because of the official Conference offerings, but also because of the fantastic discussions about writing you had with writing friends old and new. All of those ‘friends’ you have online? They’ll see you at the conference. All of the editors you work with via email and over the phone? You’ll catch up over a lunch. If you can only attend one such event in your lifetime, go to the AWP Conference & Bookfair. It will provide you with enough oomph to last well beyond the few days when writers from various geographic regions invade a (slightly unsuspecting) city to create the literary nucleus of North America for one short week.

You needn’t be a member to attend the conference, but there are registration fees and travel costs to consider. However, the Bookfair is often open to the general public at no cost on the closing Saturday. Thus, if you are working with a strict budget, you can still absorb and benefit from the aforementioned perks. This really is an event that needs to be experienced at least once in your life as a writer.

***

Excerpt from “Chapter 12: AWP Membership and Services” from The Low-Residency MFA Handbook: A Guide for Prospective Creative Writing Students (Continuum/Bloomsbury, 2011).

Available on Amazon or at Bloomsbury.

Or—if you’re attending AWP—visit the Bloomsbury booth (2101) in the bookfair where copies will be on hand!

Friday, July 19, 2013

new low-res MFA at U King’s Halifax




I’m thrilled to be one of the mentoring faculty members in the new Master of Fine Arts in Creative Nonfiction program at University of King’s College in Halifax, Nova Scotia. This is a two-year low-residency program that includes two summer residencies in Halifax and two winter residencies alternating between Toronto and New York. Summer residencies take place in August, while winter residencies take place in January.

Visit the program website to learn more.

View the MFA program brochure on issuu.com.

This promo video on YouTube was done by Natascia Lypny, who graduated this spring with a Bachelor of Journalism degree at King’s and is now a summer intern at the Ottawa Citizen. The video was produced by Nance Ackerman, an MJ grad and photojournalist.

King’s also offers Bachelor of Journalism and Master of Journalism programs.

Program director Stephen Kimber was interviewed in The Low-Residency MFA Handbook. Preview the book on Amazon.com.  

Halifax, Nova Scotia


Tuesday, March 19, 2013

New Low-Res: Institute of American Indian Arts




When The Low-Residency MFA Handbook was released in 2011, a few programs were mentioned that hadn’t quite gotten off the ground, but were in the works and worthy of a mention. One such program included in the book was the Institute of American Indian Arts. The Handbook includes an interview with program director Jon Davis who has since touched base with me to let me know the program has officially launched and is now accepting applications.

As for what makes this program different, the IAIA website makes it clear: 

There are approximately fifty Low Residency MFA Programs in the U.S. The Institute of American Indian Arts’ program is modeled on the most successful of these, with one important difference: IAIA’s mission “to empower creativity and leadership in Native arts and cultures through higher education, lifelong learning, and outreach” means that the program and the literature we read carry a distinct Native American and First Nations emphasis. Over 75% of our faculty mentors are established Native American or First Nations authors. Our program is open to everyone, but the focus will remain aligned with our unique mission.


Prospective students may find out more information about the IAIA program on their website and via their Facebook page.

My interview with Jon Davis, in The Low-Residency MFA Handbook, is on pages 87-89. For a free preview of the book, visit Amazon’s“Look Inside” feature.

Wednesday, February 27, 2013

AWP 2013: an excerpt on a good time



I’m such a fan of the annual AWP conference that I dedicated an entire chapter to the organization in my 2011 book, The Low-Residency MFA Handbook: A Guide for Prospective Creative Writing Students.

As we near this year’s conference, this time hosted in Boston, I’ve been thinking about how to describe the experience, particularly for newcomers and prospective grad students. And then it hit me. Why not just share an excerpt from my original rave? Some of the data (like attendee numbers) has increased in number, but you’ll get the idea.

So, here you go! A free glimpse into one section from “Chapter 12: AWP Membership and Services”
***

Arguably one of the most anticipated writing events in any given year is the AWP Annual Conference & Bookfair. Hosted in a different North American region each year, writers from all walks of life converge at the Conference and participate in hundreds of writing-related panel discussions, lectures, open forums, and on- and off-site literary readings. But that’s a fairly formal overview.

What you really need to know is that the Conference draws in more than 8,000 attendees and more than 500 publishers — publishers that want to meet you. The Bookfair, which runs concurrently with the Conference, is the primary networking hub where writers are invited to interact and have informal conversations with editors, publishers, and writing program representatives.

If you are a prospective student, or even just considering the graduate degree for “someday” in the future, the Bookfair is the best way to meet an entire spectrum of program reps all under one roof. Each program has a designated booth or table where directors, faculty, alumni, and current students make themselves available to answer questions, provide information, and share their personal experiences. There really is nothing like having a one-on-one conversation with people who know, really know, the programs you might be applying to, so this is one of my top recommendations for prospective students.

In addition to the writing programs, the Bookfair is also a great way to introduce yourself to hundreds of literary magazines, publishers big and small, and other writing-related organizations and service providers. As you walk through aisle after aisle, in a maze of booths and tables, your back will start to hurt for all of the swag you have stashed away in your AWP-provided shoulder bag. But it’s so worth it. Through your Bookfair journey, you will find incredible discounts on books and pick up complimentary back issues of lit journals, writing magazines, and other promotional items, not to mention so many business cards and contact names you will need to take a break to organize and recoup — but just for a bit, because there is so much more waiting for your discovery.

The events last a few short days, but provide a year’s worth of motivation and inspiration. Through personal conversations with editors, publishers, and program reps, you will be on fire with the desire — the need — to get back home and write until your pen is dry. But don’t dare leave the conference until you have soaked up every last piece of information, and met every last editor and director.

You will walk — or crawl — away from the conference feeling exhausted, but more creatively refreshed than when you were on Day One. That’s not only because of the official Conference offerings, but also because of the fantastic discussions about writing you had with writing friends old and new. All of those ‘friends’ you have online? They’ll see you at the conference. All of the editors you work with via email and over the phone? You’ll catch up over a lunch. If you can only attend one such event in your lifetime, go to the AWP Conference & Bookfair. It will provide you with enough oomph to last well beyond the few days when writers from various geographic regions invade a (slightly unsuspecting) city to create the literary nucleus of North America for one short week.

You needn’t be a member to attend the conference, but there are registration fees and travel costs to consider. However, the Bookfair is open to the general public at no cost on the closing Saturday. Thus, if you are working with a strict budget, you can still absorb and benefit from the aforementioned perks. This really is an event that needs to be experienced at least once in your life as a writer.
***

Excerpt from “Chapter 12: AWP Membership and Services” from The Low-Residency MFA Handbook: A Guide for Prospective Creative Writing Students (Continuum/Bloomsbury, 2011).

Available on Amazon or at Bloomsbury.

Or – if you’re attending AWP – visit the Bloomsbury booth in the bookfair where copies will be on hand!