Showing posts with label AWP. Show all posts
Showing posts with label AWP. Show all posts

Saturday, March 8, 2014

Stuffed in Seattle: AWP 14




I arrived in Seattle well before the AWP conference, long before the buzz of writers took over the city. So, it’s no surprise I ate my way around the city over my nine day stay. Coffee, cupcakes, fish, and crab… the menu varied but my satisfaction was pretty steady. 

The Crab Pot
Seattle AWP was a great time, as per usual, and my favorite part of this conference is that it serves as an annual reunion where I catch up with friends from across the country and beyond. Since I am still unpacking (I know, I know) and settling back into EST time, I’ll keep this blog post short with just a few photos that capture the love and lore of AWP ’14…


Bookfair Buzz



Cupcake Royale (one of my favorite places in the world)


AWP takes over the streets of Seattle


My signing at the Accents Publishing table in the Bookfair


The Glass Lyre / Pirene's Fountain poetry reading


Me and Mr Jim (of Quiddity International)


***





Thursday, February 20, 2014

excerpt: AWP in a nutshell




I’m such a fan of the annual AWP conference that I dedicated an entire chapter to the organization in my 2011 book, The Low-Residency MFA Handbook: A Guide for Prospective Creative Writing Students.

Since the conference is next week (!!!), I figured it was time to share an excerpt from my original rave—and possibly sway some newcomers to join the fun in Seattle. Some of the data (like attendee numbers) has increased in number, but you’ll get the idea.

So, here you go! A free excerpt from “Chapter 12: AWP Membership and Services”

***

Arguably one of the most anticipated writing events in any given year is the AWP Annual Conference & Bookfair. Hosted in a different North American region each year, writers from all walks of life converge at the Conference and participate in hundreds of writing-related panel discussions, lectures, open forums, and on- and off-site literary readings. But that’s a fairly formal overview.

What you really need to know is that the Conference draws in more than 8,000 attendees and more than 500 publishers—publishers that want to meet you. The Bookfair, which runs concurrently with the Conference, is the primary networking hub where writers are invited to interact and have informal conversations with editors, publishers, and writing program representatives.

If you are a prospective student, or even just considering the graduate degree for “someday” in the future, the Bookfair is the best way to meet an entire spectrum of program reps all under one roof. Each program has a designated booth or table where directors, faculty, alumni, and current students make themselves available to answer questions, provide information, and share their personal experiences. There really is nothing like having a one-on-one conversation with people who know, really know, the programs you might be applying to, so this is one of my top recommendations for prospective students.

my lit swag from AWP in Denver
In addition to the writing programs, the Bookfair is also a great way to introduce yourself to hundreds of literary magazines, publishers big and small, and other writing-related organizations and service providers. As you walk through aisle after aisle, in a maze of booths and tables, your back will start to hurt for all of the swag you have stashed away in your AWP-provided shoulder bag. But it’s so worth it. Through your Bookfair journey, you will find incredible discounts on books and pick up complimentary back issues of lit journals, writing magazines, and other promotional items, not to mention so many business cards and contact names you will need to take a break to organize and recoup—but just for a bit, because there is so much more waiting for your discovery.

The events last a few short days, but provide a year’s worth of motivation and inspiration. Through personal conversations with editors, publishers, and program reps, you will be on fire with the desire—the need—to get back home and write until your pen is dry. But don’t dare leave the conference until you have soaked up every last piece of information, and met every last editor and director.

You will walk—or crawl—away from the conference feeling exhausted, but more creatively refreshed than when you were on Day One. That’s not only because of the official Conference offerings, but also because of the fantastic discussions about writing you had with writing friends old and new. All of those ‘friends’ you have online? They’ll see you at the conference. All of the editors you work with via email and over the phone? You’ll catch up over a lunch. If you can only attend one such event in your lifetime, go to the AWP Conference & Bookfair. It will provide you with enough oomph to last well beyond the few days when writers from various geographic regions invade a (slightly unsuspecting) city to create the literary nucleus of North America for one short week.

You needn’t be a member to attend the conference, but there are registration fees and travel costs to consider. However, the Bookfair is often open to the general public at no cost on the closing Saturday. Thus, if you are working with a strict budget, you can still absorb and benefit from the aforementioned perks. This really is an event that needs to be experienced at least once in your life as a writer.

***

Excerpt from “Chapter 12: AWP Membership and Services” from The Low-Residency MFA Handbook: A Guide for Prospective Creative Writing Students (Continuum/Bloomsbury, 2011).

Available on Amazon or at Bloomsbury.

Or—if you’re attending AWP—visit the Bloomsbury booth (2101) in the bookfair where copies will be on hand!

Wednesday, February 27, 2013

AWP 2013: an excerpt on a good time



I’m such a fan of the annual AWP conference that I dedicated an entire chapter to the organization in my 2011 book, The Low-Residency MFA Handbook: A Guide for Prospective Creative Writing Students.

As we near this year’s conference, this time hosted in Boston, I’ve been thinking about how to describe the experience, particularly for newcomers and prospective grad students. And then it hit me. Why not just share an excerpt from my original rave? Some of the data (like attendee numbers) has increased in number, but you’ll get the idea.

So, here you go! A free glimpse into one section from “Chapter 12: AWP Membership and Services”
***

Arguably one of the most anticipated writing events in any given year is the AWP Annual Conference & Bookfair. Hosted in a different North American region each year, writers from all walks of life converge at the Conference and participate in hundreds of writing-related panel discussions, lectures, open forums, and on- and off-site literary readings. But that’s a fairly formal overview.

What you really need to know is that the Conference draws in more than 8,000 attendees and more than 500 publishers — publishers that want to meet you. The Bookfair, which runs concurrently with the Conference, is the primary networking hub where writers are invited to interact and have informal conversations with editors, publishers, and writing program representatives.

If you are a prospective student, or even just considering the graduate degree for “someday” in the future, the Bookfair is the best way to meet an entire spectrum of program reps all under one roof. Each program has a designated booth or table where directors, faculty, alumni, and current students make themselves available to answer questions, provide information, and share their personal experiences. There really is nothing like having a one-on-one conversation with people who know, really know, the programs you might be applying to, so this is one of my top recommendations for prospective students.

In addition to the writing programs, the Bookfair is also a great way to introduce yourself to hundreds of literary magazines, publishers big and small, and other writing-related organizations and service providers. As you walk through aisle after aisle, in a maze of booths and tables, your back will start to hurt for all of the swag you have stashed away in your AWP-provided shoulder bag. But it’s so worth it. Through your Bookfair journey, you will find incredible discounts on books and pick up complimentary back issues of lit journals, writing magazines, and other promotional items, not to mention so many business cards and contact names you will need to take a break to organize and recoup — but just for a bit, because there is so much more waiting for your discovery.

The events last a few short days, but provide a year’s worth of motivation and inspiration. Through personal conversations with editors, publishers, and program reps, you will be on fire with the desire — the need — to get back home and write until your pen is dry. But don’t dare leave the conference until you have soaked up every last piece of information, and met every last editor and director.

You will walk — or crawl — away from the conference feeling exhausted, but more creatively refreshed than when you were on Day One. That’s not only because of the official Conference offerings, but also because of the fantastic discussions about writing you had with writing friends old and new. All of those ‘friends’ you have online? They’ll see you at the conference. All of the editors you work with via email and over the phone? You’ll catch up over a lunch. If you can only attend one such event in your lifetime, go to the AWP Conference & Bookfair. It will provide you with enough oomph to last well beyond the few days when writers from various geographic regions invade a (slightly unsuspecting) city to create the literary nucleus of North America for one short week.

You needn’t be a member to attend the conference, but there are registration fees and travel costs to consider. However, the Bookfair is open to the general public at no cost on the closing Saturday. Thus, if you are working with a strict budget, you can still absorb and benefit from the aforementioned perks. This really is an event that needs to be experienced at least once in your life as a writer.
***

Excerpt from “Chapter 12: AWP Membership and Services” from The Low-Residency MFA Handbook: A Guide for Prospective Creative Writing Students (Continuum/Bloomsbury, 2011).

Available on Amazon or at Bloomsbury.

Or – if you’re attending AWP – visit the Bloomsbury booth in the bookfair where copies will be on hand!

Sunday, March 18, 2012

good times for low-res: AWP board of directors

Steve Heller Elected President of AWP's Board of Directors

From the AWP website

At AWP’s recent conference in Chicago, Steve Heller, Professor and Chair of Antioch University Los Angeles’ MFA program, was elected President of AWP’s Board of Directors. He will serve from 2012 through early March 2013. Heller served as Vice President and Secretary in the years leading up to this appointment. 

“I attended my first AWP in 1980 when I was a graduate student (at Bowling Green State University),” said Heller. “The keynote speaker was poet Richard Hugo, who claimed that creative writers were destined to become the keepers of the literary canon, even if all we wanted at the moment was to expand it, replace it, or do away with it altogether. Hugo was right. Writers who also teach not only create literature, we help our culture to preserve literature and treasure it as part of our heritage. It’s an honor to serve as President of the organization that taught me not only the rights but the responsibilities of a writer in the world.”

Outgoing President, Denise Low-Weso, praised Heller’s election: “Creative writing continues to show growth as a major field for students. AWP leads the way for writers as new forms of media expand. Heller’s experience with online education, on-the-ground education, and administration—plus his own expertise as a fiction writer—prepare him for this national role.”

Heller is author of The Automotive History of Lucky Kellerman, a novel, and most recently, What We Choose to Remember, a collection of nonfiction. His work has appeared in New Letters, Colorado Review, Fourth Genre, and elsewhere. 

Article posted: 03/16/12

Monday, March 12, 2012

That’s Chicago! AWP 2012 Wrap-Up



Only a week has passed, yet it feels like AWP Chicago was years ago! I’m only now getting on top of things to post photos and news from the conference.

As usual, it was great to catch up with the many writers, editors, and publishers I look forward to seeing each year. I’m afraid I was not so on the ball this year and lapsed in my usual eager amount of photo-taking, but what I have will have to do.

But, first, I must thank my lovely publisher Continuum Books for again providing me with a great space in the bookfair; there continues to be a nice buzz and appreciation for The Low-Residency MFA Handbook, and that just makes me very happy indeed. I was also super grateful for those who helped out at the table while also taking the opportunity to promote their own new releases: Patricia Florio and Sandee Umbach. These ladies were a godsend for when I needed to run off to a session (like my awesome panel with Danita Berg, Clark Knowles, and Jim Warner!) or needed a caffeine break. Plus, it was great to see them get some attention from book browsers!

The bookfair, as usual, was a happening place despite the strange four-ballroom layout. Thank goodness for table numbers so friends like Amelia Glebocki and Claudia Manley could find me and also new-to-me friends in the making, like Beth—who came to AWP all the way from Hawaii after reading my conference praise in The Low-Res MFA Handbook. Wow. Plus, she was really fun to chat with and I’m glad she was successful on her sixth try to find me at the table (she should have just checked the line at Starbucks). 

The evening events were stellar, again. There’s just too much to do, which is good, so I am usually happy if I can make it to one thing a night. I did make a few rounds of the receptions (thank you Red Hen Press and Chatham University for the cheese and dip) and of course I attended the Keynote with Margaret Atwood (hello, Motherland!), albeit with a very northern nosebleed seat (still good on The Big Screen). I also had a lovely time checking in with the All Collegiate Slam hosted by Wilkes University’s MA/MFA programs. Tough, tough competition there, folks.

And, while not officially on the conference program, my off-site hotel was a mere two blocks from the gorgeous, stunning, amazing new Poetry Foundation building. So, I spent some quality time there admiring the walls and walls and walls of poetry books. If you haven’t stopped in yet, please do so the next time you’re in Chicago. It will blow your mind.

Of all my AWP conferences to date, this one went the fastest and, frankly, almost too fast. It was over and done with before I knew it. I suppose that’s a good sign – tons of people, tons of books, and a whirlwind experience all round. Thanks to Chicago, all the hosts and sponsors, and of course all the crazy people for giving us all a good time. See you in Boston!

P.S. I have more photos on Facebook, too!