Showing posts with label community. Show all posts
Showing posts with label community. Show all posts

Monday, June 10, 2013

Upcoming Summer Events




I’m pleased to share a few dates for upcoming writing workshops in the community. If you have any questions, send me an email. More info and links to register for these 3-hour classes are included below:

June 15—Washtenaw Community College, Ann Arbor MI
Writing for Publication
Intro to Flash Fiction

July 22—Owens Community College, Toledo OH
Intro to Memoir Writing
Ready, Set, Write: Creativity Workshop

July 23—Owens Community College, Findlay OH
Intro to Memoir Writing
Ready, Set, Write: Creativity Workshop

Since fall is just around the corner, I already know a few of my community workshop dates. More will be confirmed soon, though, so stay tuned.

Monday, May 6, 2013

Bookstock: where books come to live



In what has become an annual tradition, Chris and I recently spent some quality time at Bookstock. The used book and media sale takes place in an old suburban mall where bibliophiles can sip on lattes and involuntarily sniff the Yankee Candle sale rack whilst sorting through paperbacks, collectibles, and the requisite boxes of encyclopedias.

I married well. Chris reads between 50-60 books per year, which makes me simultaneously proud and jealous. He’s a speed reader whereas I take weeks, sometimes months, to finish reading something for fun. I prioritize books meant for reviews, others as part of research. And while those count toward my year-end tally, I never out-read my spouse. Never.

Regardless, that amount of reading comes from a variety of sources. We love our indie bookshops in Michigan, and those discovered on roadtrips, but we also dip into the library and the used book sales to fill in the gaps. While I tend to hang onto most books, Chris keeps his personal library small and we often donate more books back to Bookstock than we purchase. It’s a continual cycle.

There are tens of thousands of used books at this particular book sale. I’ve often wondered where they all come from, where they end up. When I walk through the tables, lined up in sections spread throughout the mall, I see everything from last year’s bestsellers to seriously aged and yellowed paperbacks. There are most certainly some rare finds, but usually not by the time we get there.

Bookstock collects item donations throughout the year and the opening sale day is the only time the organization charges an admission fee. This is the day collectors and resale shops come in for first dibs on premiums. Chris and I usually wander through on day four or five of the weeklong event, happy to fill a bag or two of interesting finds that have value only in the content itself.

This year I had one of my curiosities answered. While perusing a stack of trade paperbacks (where I found Magical Thinking by Augusten Burroughs), a young woman asked one of the volunteers what happens to the leftovers at the end of the sale. I’ve wanted to ask the same thing, but haven’t for fear the answer would reveal a mysterious chop shop fate where discards are milled into pulp. I learned, though, this is not the case.

The volunteer said any books remaining after the sale are first offered up to local schools who wish to add titles to their libraries and community reading programs. Then they open the free-for-all to charities who can sell off some books in their thrift shops. The woman said most everything is snatched up this way, but that whatever is left will make its way to a donation center that accept remnants.

I like to think of where our own donated books end up. I imagine we drop them off for a whirlwind tour. First they bounce around the sorting facility until they’re categorized for the annual event. Then our used books are lined up neatly on a table—perhaps outside the coffee shop, or near the department store entrance—where booklovers will thumb their spines and one or two people will actually pick them out of the line-up, consider, and then slide them back into place. Maybe some of our books find homes that week, venturing off to a city condo or lakeside cottage for lazy summer day reading. I know, though, that some won’t be selected during the sale week and will have to wait until a school librarian or rep from the charity shop comes in to claim leftovers.

But, then, one day a student or low-income mother or too-cool hipster wanders the thrift shop and, even though she was on the hunt for vintage dinner plates, she couldn’t help but notice the books priced at a quarter. She selects three, one of which was ours, and takes it home to read over the weekend. Months later, when she’s clearing out her closet to make space for her new partner in life, she stacks those old books into a cardboard box and drives them to a donation center, where they will again go through this process. These books will continue on, offering a few hours of enjoyment to another stranger, united only by their fondness for a cover design and storyline.

And, just maybe, a few years from now as Chris and I wander the tables at Bookstock, I’ll come across a paperback that seems a little familiar, maybe reminds me of something, and I’ll wonder if I ever did read that book way back when. Maybe I’ll pick that paperback up and take it home, flip it open, and see the tiniest of coffee stains that says this book and I have met in a previous life. I’ll reacquaint myself with the spine, with the pages grown weary with age, and then when I tend to some cleaning, I’ll stack that book into a cardboard box and drive it over to the donation center, where the cycle will continue in its perpetual shelf life.  

Wednesday, January 23, 2013

literary citizenship: call for comments


Pay It Forward!


I’ve been working on a project about literary citizenship and how writers are engaging with others for the ‘greater good’ of the literary community. After all, we solitary beasts heavily rely on others in some capacity—we need encouragement, we need support—whether that is in the obvious ways of needing readers and reviewers, or in the not-so-obvious ways of needing to feel like we’re part of something bigger than ourselves.

I’ve had some truly inspiring conversations with writers, editors, reviewers—the whole lot—but I’m still curious. I’m still asking questions. So, if you feel inclined to do so, let me know what you’ve been up to, how you’ve been engaged within the community, who inspires you to be a better literary citizen, and, indeed, what does that term even mean to you?

Email me with your comments and I may be able to include them in my project. Here are a few questions to prompt your input:

  • What does ‘literary citizenship’ mean to you?
  • How has community engagement enhanced your overall writing life?
  • Let’s face it; sometimes it takes a bit to get us showered and dressed, let alone out the door to an event. If you’re an introvert, homebody, or naturally shy person, what moves you to connect with others? Do you usually find a ‘payoff’ in making it out to a public event?
  • What sort of activities do you engage in for the community-at-large that boost your writing life and impact others?
  • Who has inspired you to become a better literary citizen and why?
  • What sort of unique activities are taking place in your community that inspire you?
  • How do you manage your time between personal creative needs and reaching out to others? Have you ever experienced burnout and how did you adjust?
  • What do you hope to gain from your community of writers? Peer support? Encouragement? A sense of belonging? What else?
  • If you have any innovative ways of connecting with the community-at-large, I’d love to hear about those, too!

Specific examples are most welcome, but I also enjoy generalizations on this topic. I’ll follow up any comments sent to my email, lori@loriamay.com, and I’ll let you know a bit more about this project while I’m at it.

Thanks for sharing your take!